|  | The artistic biography of Patrick Vogel, sculptor
Born 5 April 1953, Troyes in France, living now in a ancient mill in the Lot   in the midst of the countryside. Coming from an artistic background but   predominantly self-taught, he was attracted very young to the Arts. Admiring the   contemporary artists for their creativity and vision, he likes the sculpture   without constraints, without dogmas, without frontiers and always questioning.
 His art is European, from the soul, primal and tribal which suggests with   humanity and poetry a way forward towards hope and secret passageways.
 
 He nourishes the evolution of plurality, social mixing and hybridisations.
 
 "One must always re-invent everything to better understand what already exists".
 
 Through abstracts, installations or even representations, he researches the   ethnicity of all that he undertakes. Influences crossed, affinities and emotions   mix subconsciously without congealing in the finding of a life. Touching   everything, he has no need to position himself, he keeps a timeless curiosity   and a capacity of being astonished and amazed. Transcending different cultures   his universe is always changing. He likes to construct, in mythology, objects   that are prosaic, common and real.
 
 "I sculpt, I dream, I sculpt, I live, I sculpt, I question, I sculpt, I reflect,   I sculpt, I create, I sculpt and life is good. So much the better!"
 
 His art is made to conspire against the terror, to survive the spiritual cruelty   all around. It seems to spring from inspired trial and error and blinding   certainties.
 
 His objectives for 2006 are based around the theme of "red and black", secular   heritage then recent, for the near future. Also the "comma", the small, simple   modest punctuation mark which indicates a brief pause to separate and   re-assemble everything, to isolate to oppose and even as an apostrophe, while   linking words.
 
 His interventions on sites, as well as installations all controlled by a   fantastic and mysterious energy are more numerous. Anonymous and scattered, they   punctuate his creative work while opening wide the field of possibilities. He   does not know yet what he is looking for, but he will
 not stop looking.
 
 Many works are in private collections both in France and abroad.
 
 Public commissions: Communes de Montauban, Pomarède, Bressuire, Julienne, St   Martial de Nabirat, Conseil Général du Tarn et Garonne.
 
 He has been rewarded with numerous distinctions, prizes, press articles and TV   interviews.
 
 Meetings, influences, affinities: SCULPTURE. Plurality, mixing, hybridisation: VISUALISATION. Way of life and thinking: SINCERITY. Pleasures, friendships, loves: EMOTIONS. Past, present, future: AÏDES. Everything must always be reinvented to witness better what exists. I sculpt, I dream, I sculpt, I live, I sculpt, I doubt, I sculpt, I think, I   sculpt: CREATION. 
   GUSTAVE FLAUBERT« L’artiste doit s’arranger de façon à faire croire à la postérité qu’il n’a 
    pas vécu. »
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